人們所追尋的，或許從不是完美無缺的神祇，而是一個能全然接納各種靈魂的廣袤世界。

黃葻長期以舞踏為核心進行跨域創作，將身體作為探索土地記憶的媒介。近年行腳印尼、尼泊爾、印度及泰國等亞洲各國，觀察人們將造型各異的石頭奉為神靈的信仰景緻。

展覽融合石頭信仰與微觀山水的意象，將天地眾生縮微於方寸，將感官感知延伸至泥土，而捏塑與燒製的過程，如同重演地質的岩石形成史，將人間的情感寄託與億萬年的地質記憶一同熔鑄。

What people have always sought is perhaps not flawless deities, but a vast world that wholly embraces every kind of soul.

Huang Lan has long centered her interdisciplinary practice on Butoh, treating the body as a medium to excavate the memories of the land. In recent years, journeying through Indonesia, Nepal, India, Thailand, and across Asia, she has observed the devotional landscapes where people consecrate distinctively shaped stones as divine spirits.

The exhibition weaves together the imagery of stone worship and microcosmic landscape, distilling heaven, earth, and all living beings into intimate scale, and extending sensory perception deep into the soil. The processes of molding and firing reenact the geological genesis of rock, fusing human emotional devotion with aeons of geological memory in a single crucible.